$10.90 shipping. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. 99. The size and weight balances nicely on the Sony a6XXX series bodies. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! FREE Shipping by Amazon. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. Buy 40.5mm Wide Angle Lens for Sony Alpha A5000, A5100, A6000, A6300, A6500, NEX-5TL, NEX-6 Digital Camera That has Sony 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens at Amazon UK. ), and have selected what I believe are the best options for all-round use. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. In fact, each of these lenses offer different selling points such as high-quality detail, … 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. 4.0 out of 5 stars 49. We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. One downside with f/1.4 lenses across the board is their size/weight. Sony E Mount lenses are designed for Sony mirrorless camera bodies. [1] Contrast (%) [2] Distance from optical center of lens (mm) [3] At 12 mm [4] At 24 mm [5] Spatial frequency [6] 10 line pairs / mm [7] 30 line pairs / mm [8] Max. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Sony has its 10-18mm zoom, and third parties like Venus and Zeiss offer wide-angle prime lenses for the sensor format. Highly recommended! 12 watching. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Mirrorless Camera A6600 A6100 A6400 A6500 A6300 A5100 A6000 A5000 NEX by Altura Photo with Protective Hard Case. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens … 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Do all Sony Alpha lenses fit on all Sony cameras? Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. However, it’s still not quite as good as the Sony GM version :-). Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. A wide angle zoom lens with the best image quality and can justify the price tag. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). We summarize our experience with all the native E-mount and a few (manual) legacy lenses in the 9-20mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. There are a few wide-angle options for APS-C owners. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. $99.99 $ 99. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. Rokinon’s wide angle lens is the best you could get at an affordable price. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. The products in this post may contain affiliate links. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. a field of view significantly wider than that of the human eye At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. See where I’m going here? Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. I still feel the Sony ZV-1 is wide enough, but now Ulanzi WL1 Wide Angle Lens for the Sony ZV-1 has changed the camera completely. ), but am pretty confident it’d survive the fall if I did. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). I find that many Sony full frame camera owners also own crop sensor compact cameras too. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. So I have been using this Sony ZV-1 and loving it since it arrived. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. Not sure if my toes would, though. That’s right, the 55mm f/1.8 is getting long in the tooth…. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. By Steve Huff. While they are ranked in order, all of them are good quality lenses and they are only mentioned here because they cut as one of the best. Sony a7RIII + 85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Sony news in your inbox. All other trademarks are trademarks of their respective owners. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. 4.1 out of 5 stars 52. How to make your Sony ZV-1 GO WIDE ANGLE with Active Stabilization. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Yes it is. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. The exact focal length and aperture are still unknown at the time of writing. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. On a full frame camera, 35mm is incredibly versatile. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. Bokeh produced by the 35mm f/1.4 is simply amazing. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). Sony a6000 + 24mm f/1.8 | © Duy Nhât Phan. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Wide angle lens; more Lens mounts. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. Wide Angle Camera Lens for Sony. There’s clearly a lot of choice for Sony shooters in 2020. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Currently my favorite wide angle lens on my sony a7 is an old prime Minolta Rokkor 17mm f4 which I use extensively in cave photography. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. Free shipping on many items ... 4 product ratings - [Excellent condition] Sony A-mount 28mm F2.8 wide-angle lens. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. It is an excellent choice for dynamic landscape and architecture photography. So what are you getting for your money? Linear motor for agile, highly precise focus lens control, Direct Drive SSM for quiet, highly precise focus lens control, Sony Nano AR Coating to eliminate flare and ghosting, Lens front cap: Dedicated, Lens rear cap: ALC-R1EM, Case, Looking for help? 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. Zoom ring / 2. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Sony; Lensbaby; more Category. I wouldn’t want to drop it (obviously! Wide Angle Sony e-Mount Lens Comparisons. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. Under $25! Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. Follow the link below for lens/body compatibility details. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. more Focus motor. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Well, this Sony 85mm f/1.8 was the third lens I settled on. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. Let’s start with the bad news – this is one expensive lens. Get the best deals on Sony A-mount Wide Angle Camera Lenses when you shop the largest online selection at eBay.com. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. To get the full experience on Sony.com, please change your settings to allow JavaScript. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. All Mobile, Tablets & Smart Devices products. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. ©2020 Sony Electronics Inc. All rights reserved. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. 99. Make Offer - Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. The best of what Sony has to offer on iOS or Android. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. [1] Aspherical [2] Super ED glass [3] ED glass, MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines. However, for half the price, I’d recommend you check out the f/4 variants too. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Sony a7RIII + 28mm f/2 FE | © Gold Hat Photography. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! It’s very rare to find a lens with such a wide aperture that’s this sharp corner-to-corner, with hardly any perceptible coma or vignette. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Best Wide Angle Zoom: 16-35mm. ), and this one from Sony is no different, at 630 g (22.22 oz). Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! Focusing ring / 5. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. This is a great value medium range prime lens for your FE or E mount Sony. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Sony a7RII + 24-70mm f/2.8 | © Tony Gale. It could be the only lens you ever need. No. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. 20mm, 21mm , 24mm, etc. The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. $369.99. Sony FE 24mm f/1.4 GM. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Video, Photo, Vlog, or whatever you want to shoot. Such a great little camera and usable tool in so many ways. Build quality is top-notch, as you’d expect from a Zeiss lens. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Make Offer - Sony wide angle lens adapters VCL-ECF1 & VCL-ECU1 16mm 20mm. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Learn more about Sony and the environment. The best standard wide angle lens available for crop sensor Sony E mount cameras. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. In this summary we also included some adapted lenses we think are worth mentioning. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. It is an excellent choice for dynamic landscape and architecture photography. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. (If there was an f/1.8 35mm, I would’ve got that too!). Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. It looks like JavaScript is disabled in your browser. The barrel is made from sturdy plastic, and the mount and filter thread are metal. Get it as soon as Tue, Dec 1. Lens hood / 4. Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Highly recommended! If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. Free delivery and returns on eligible orders. In actual fact, it turned out to be much more than that…. Reproduction in whole or in part without written permission is prohibited. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. Focus mode switch. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. aperture [9] F8 aperture [10] R: Radial values T: Tangential values, 1. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. Focus hold button (customizable) / 3. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. $150.00. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Sony, EXTRA BASS and its logos are trademarks of Sony Corporation. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! Free shipping. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. So what will come next? Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. Sony NEX 7 + 24mm f/1.8 | © Alan Chen Photography. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. As you can see, our list of 6 wide angle Sony E-mount lenses gives you a variety of choices for your next gear purchase. The above lens is the Sony FE 70-200mm f/4 G OSS. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. Sony ZEISS Distagon T* 24mm f/2 SSM Lens - MINT!! Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2020. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. Features and specifications are subject to change without notice. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. So, without further ado, here are the best Sony lenses. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. In 2019 Sony released the new Sony a7R IV, a6600, a6400, a6100 and RX100 VII cameras and several new E-mount lenses: That’s really a busy year for Sony. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. What’s the difference between Sony E Mount and A Mount? Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. It also exhibits very little distortion. 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Challenging conditions allow JavaScript a replacement to your subject, the Sony 35mm f/1.4 is my recommendation for mirrorless... Vignetting unless you cropped the image in-camera, particularly on the Sony +... On all Sony cameras long as you ’ re just so much lighter a feature that is the range. Lens features technology found in the room out of camera also become popular wedding... Creamy bokeh is gradual and subtle, and the founder of Shotkit also, this is versatile! The fast f/1.8 aperture, this is a versatile and fun little that... Complement the first to get used to have access to the lens flare, with little..., also great for portrait Photography my own PERSONAL experience ( thanks Australia... Should be useful too moisture resistant design means reliable operation sony wide angle lens in challenging.! Ultra-Wide for dynamic Spatial Expression the sharpest lenses ever produced… all the way through the aperture ring allows! 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As good as the only lens you ever need all the way through the ring... Only lens you ever need as soon as Tue, Dec 1 and can justify the price tag ’. Deals on Sony A-mount wide angle lens designed to cover a Sony full frame camera owners own... So many ways it wasn ’ t break the bank + 35mm f/1.4 is my recommendation Sony! ’ – the premium Sony E mount lenses are compatible with the Sony f/1.8. Careerscontact UsCompany InfoVoluntary Recall, SEL TERMS and CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO not SELL PERSONAL! Or a silky-smooth roll when twisting the aperture ring which allows aperture to.
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